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<h1 id="firstHeading" class="firstHeading mw-first-heading"><span class="mw-page-title-main">Fuat Saka</span></h1>
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<p><b>Fuat Saka</b> (* <a href="1952" title="1952">1952</a> in <a href="Trabzon" title="Trabzon">Trabzon</a>) ist ein <a href="Lasen" title="Lasen">lasisch</a>-<a href="T%C3%BCrkei" title="Türkei">türkischer</a> <a href="Gesang" title="Gesang">Sänger</a>, <a href="Songwriting" title="Songwriting">Songwriter</a> und <a href="Arrangeur" title="Arrangeur">Arrangeur</a><sup id="cite_ref-1" class="reference"><a href="#cite_note-1"><span class="cite-bracket">[</span>1<span class="cite-bracket">]</span></a></sup>.
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<div class="mw-heading mw-heading2"><h2 id="Leben_und_Karriere">Leben und Karriere</h2></div>
<p>Saka verließ nach dem <a href="Milit%C3%A4rputsch_in_der_T%C3%BCrkei_1980" title="Militärputsch in der Türkei 1980">Militärputsch von 1980</a> die Türkei und lebte bis 1998 in Europa, wo er neben der Türkei, auch heute noch in <a href="Hamburg" title="Hamburg">Hamburg</a> und <a href="Paris" title="Paris">Paris</a> heimisch ist.
</p><p>Seine Musik wird oft als „<a href="Jazz" title="Jazz">Jazz</a> auf lasisch“ bezeichnet und dem Stil der <a href="%C3%96zg%C3%BCn_M%C3%BCzik" title="Özgün Müzik">Özgün Müzik</a> zugerechnet. Er arbeitete mit Künstlern wie <a href="Wolf_Biermann" title="Wolf Biermann">Wolf Biermann</a>, <a href="Maria_Farantouri" title="Maria Farantouri">Maria Farantouri</a> oder mit den Gruppen <a href="The_Shin" title="The Shin">The Shin</a> und <a href="Fire_of_Anatolia" title="Fire of Anatolia">Sultans of the Dance</a> zusammen.
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<div class="mw-heading mw-heading2"><h2 id="Diskografie">Diskografie</h2></div>
<div class="mw-heading mw-heading3"><h3 id="Alben">Alben</h3></div>
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<ul><li>1982: <i>Yıkılır Zulmün Son Kaleleri</i></li>
<li>1983: <i>Sehnsuchtslied (Ayrılık Türküsü)</i></li>
<li>1984: <i>Kerem Gibi</i> (Gedichte von <a href="N%C3%A2z%C4%B1m_Hikmet" title="Nâzım Hikmet">Nazım Hikmet</a>)</li>
<li>1987: <i>Sevdalı Türküler</i></li>
<li>1988: <i>Nebengleis (Kenardaki Ray)</i></li>
<li>1989: <i>Askaros</i></li>
<li>1991: <i>Semahlar ve Deyişler</i></li>
<li>1993: <i>Şiirce</i></li>
<li>1994: <i>Torik Baliklar Ülkesinde</i></li>
<li>1996: <i>Arhavili İsmail</i></li>
<li>1997: <i>Lazutlar</i></li></ul>
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<ul><li>1998: <i>Sen</i></li>
<li>2000: <i>Lazutlar II</i></li>
<li>2001: <i>Perçem Perçem</i></li>
<li>2002: <i>Lazutlar III</i></li>
<li>2004: <i>Lazutlar (Livera)</i></li>
<li>2005: <i>Lazutlar (Seçmeler)</i></li>
<li>2006: <i>Bir Sürgünün Not Defteri</i></li>
<li>2006: <i>Fuat Saka Koleksiyon</i></li>
<li>2008: <i>Lazutlar 2008</i></li>
<li>2018: <i>Betçe</i></li>
<li>2021: <i>Avaz</i></li></ul>
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<div class="mw-heading mw-heading3"><h3 id="EPs">EPs</h3></div>
<ul><li>2019: <i>Dostlarım</i></li>
<li>2020: <i>Nesini Söyleyim</i> (mit Turan Vurgun)</li></ul>
<div class="mw-heading mw-heading3"><h3 id="Singles_(Auswahl)"><span id="Singles_.28Auswahl.29"></span>Singles (Auswahl)</h3></div>
<ul><li>1997: <i>Rap-Atma</i></li>
<li>1997: <i>Derule</i></li>
<li>1997: <i>Cilveloy</i></li>
<li>2000: <i>Torul Hartaması</i></li>
<li>2004: <i>Şimdi Ne Yapar</i></li></ul>
<div class="mw-heading mw-heading2"><h2 id="Siehe_auch">Siehe auch</h2></div>
<ul><li><a href="K%C3%A2z%C4%B1m_Koyuncu" title="Kâzım Koyuncu">Kâzım Koyuncu</a></li>
<li><a href="Liste_t%C3%BCrkischer_Musiker" title="Liste türkischer Musiker">Liste türkischer Musiker</a></li></ul>
<div class="mw-heading mw-heading2"><h2 id="Einzelnachweise">Einzelnachweise</h2></div>
<ol class="references">
<li id="cite_note-1"><span class="mw-cite-backlink"><a href="#cite_ref-1">↑</a></span> <span class="reference-text">Thomas Solomon: <cite style="font-style:italic">Who Are the Laz? Cultural Identity and the Musical Public Sphere on the Turkish Black Sea Coast</cite>. In: <cite style="font-style:italic">The World of Music</cite>. <span style="white-space:nowrap">Band<span style="display:inline-block;width:.2em"> </span>6</span>, <span style="white-space:nowrap">Nr.<span style="display:inline-block;width:.2em"> </span>2</span>, 2017, <a href="Internationale_Standardnummer_f%C3%BCr_fortlaufende_Sammelwerke" title="Internationale Standardnummer für fortlaufende Sammelwerke">ISSN</a> <span style="white-space:nowrap"><a rel="nofollow" class="external text" href="https://zdb-katalog.de/list.xhtml?t=iss%3D%220043-8774%22&key=cql">0043-8774</a></span>, <span style="white-space:nowrap">S.<span style="display:inline-block;width:.2em"> </span>83–113</span>, <a href="JSTOR" title="JSTOR">JSTOR</a>:<a rel="nofollow" class="external text" href="http://www.jstor.org/stable/44841947">44841947</a>.<span class="Z3988" title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rfr_id=info:sid/de.wikipedia.org:Fuat+Saka&rft.atitle=Who+Are+the+Laz%3F+Cultural+Identity+and+the+Musical+Public+Sphere+on+the+Turkish+Black+Sea+Coast&rft.au=Thomas+Solomon&rft.date=2017&rft.genre=journal&rft.issn=0043-8774&rft.issue=2&rft.jtitle=The+World+of+Music&rft.pages=83-113&rft.volume=6" style="display:none"> </span></span>
</li>
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Normdaten (Person): <a href="Gemeinsame_Normdatei" title="Gemeinsame Normdatei">GND</a>: <span class="-print"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/134896300">134896300</a></span> | <a href="Library_of_Congress_Control_Number" title="Library of Congress Control Number">LCCN</a>: <span class="-print"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/no2007128715">no2007128715</a></span> | <a href="Virtual_International_Authority_File" title="Virtual International Authority File">VIAF</a>: <span class="-print"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/50144046/">50144046</a></span> | </div>
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